We start with Ivan Corraliza, aka ill Factor, who does a great job of explaining what all the controls in Live’s reverb device do while demonstrating some useful methods to get reverb to sit nicely in the mix. We therefore picked some of our favorite video tutorials, each of which takes a different creative approach to using reverb. Nothing wrong with that of course, but it can also be quite illuminating to see someone else’s individual way of using a familiar tool – however unfamiliar the musical context. But because of this very ubiquity and its high degree of variability, reverb tends to be an effect most of us use intuitively rather than with any kind of strategy. Today, reverb is a standard part of the music maker’s’ toolkit and is arguably the single most used effect in modern music production. He then deftly mixed together the reverberant recording together with the original, dry version. it still seems the most popular reverb for my genre (trance). Engineer Bill Putnam achieved the record’s hypnotic tone in a way that will be familiar to anyone who’s ever enjoyed singing in the shower: Putnam put a loudspeaker and a microphone in the studio's bathroom and re-recorded the playback of the track as it reflected off the ceramic tiles. looking at buying arts acoustic reverb but looking back on older posts I see some having problems contacting them to buy or if they have a question.
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